Liene Bosquê: Migrant Archaeologies - Janaina Torres

Sao Paulo Brazil

Liene Bosquê

MIGRANT ARCHAEOLOGIES

The solo exhibition by Liene Bosquê, a Brazilian artist based in the United States, brings to the country works produced in several cities around the world, based on the architectural heritage of each location, in investigations into memory, belonging and immigration. The show, which celebrates the artist’s 20-year career, features more than 50 items in a wide range of formats and materials such as textile installations, monotypes with rust, cyanotypes, ceramics, fabric and paper sculpture, site specific, among others. Liene Bosquê’s journey is told in this exhibition through the lens of the migrant archaeologies she has engendered.

August 10 . September 28 2024

Curated by Cristiana Tejo

VIEWS

ARTWORKS

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Riverdale, Bronx III

Liene Bosquê
Riverdale, Bronx III, 2019/24
Monotipia, oxidação de ferro sobre linho
76 x 145 cm

+ consult

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New Smyrna Beach, Florida I

Liene Bosquê
New Smyrna Beach, Florida I, 2021
Monotipia, oxidação de ferro sobre algodão
106.50 x 68.50 cm

+ consult

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Riverdale, Bronx IV

Liene Bosquê
Riverdale, Bronx IV, 2019/24
Monotipia, oxidação de ferro sobre algodão
98 x 69 cm

+ consult

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Gateway to Chelsea

Liene Bosquê
Gateway to Chelsea, 2019
Organza de seda moldada e oxidada com ferro
21 x 133 x 8 cm

+ consult

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Braddock's Temples

Liene Bosquê
Braddock's Temples, 2016
Tyvek recortado a mão
70 x 190 x 15 cm

+ consult

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New Smyrna Beach, Florida II

Liene Bosquê
New Smyrna Beach, Florida II, 2021/24
Monotipia, oxidação de ferro sobre algodão
114.30 x 63.50 cm

+ consult

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Carandiru

Liene Bosquê
Carandiru, 2003
Água Tinta sobre papel
50 x 34.50 cm

+ consult

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Balustrade

Liene Bosquê
Balustrade, 2009
Papel abacá artesanal moldado
81 x 51 x 38 cm

+ consult

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Clarabóia, Rio de Janeiro I

Liene Bosquê
Clarabóia, Rio de Janeiro I, 2003
Fotograma, goma bicromatada pigmentada com aquarela sobre papel
32 x 21.50 cm

+ consult
Clarabóia, Rio de Janeiro II

Liene Bosquê
Clarabóia, Rio de Janeiro II, 2003
Fotograma, goma bicromatada pigmentada com aquarela sobre papel
19 x 20.50 cm

+ consult

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Miami Beach

Liene Bosquê
Miami Beach, 2023
Cianotipia sobre algodão e participação coletiva
60 x 139 cm

+ consult

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Red Hook

Liene Bosquê
Red Hook, 2018
Cianotipia sobre algodão, metal e imã
35 x 150 x 2 cm

+ consult
Brescia, Italy I

Liene Bosquê
Brescia, Italy I, 2017/24
Cianotipia sobre algodão, metal e imã
84 x 150 x 15 cm

+ consult

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April 1st, Cultural Heritage, Lower East Side, NY (série Collecting Impressions)

Liene Bosquê
April 1st, Cultural Heritage, Lower East Side, NY (série Collecting Impressions), 2015
Porcelana e participação coletiva

+ consult
April 18, Art Scene, Lower East Side, NY (série Collecting Impressions)

Liene Bosquê
April 18, Art Scene, Lower East Side, NY (série Collecting Impressions), 2015
Porcelana e participação coletiva

+ consult
April 25, Future Cityscape, Lower East Side, NY (série Collecting Impressions)

Liene Bosquê
April 25, Future Cityscape, Lower East Side, NY (série Collecting Impressions), 2015
Porcelana e participação coletiva
0 x 0 cm

+ consult

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Centro, São Paulo (série Coletando Impressões)

Liene Bosquê
Centro, São Paulo (série Coletando Impressões), 2018/24
Vídeo

+ consult

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Centro, São Paulo (série Coletando Impressões)

Liene Bosquê
Centro, São Paulo (série Coletando Impressões), 2018/24
Cerâmica e participação coletiva

+ consult

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Sullivan Center, Chicago

Liene Bosquê
Sullivan Center, Chicago, 2010
Toalhas cortadas a laser
70 x 215 x 5 cm

+ consult

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Elevador Santa Justa, Lisboa

Liene Bosquê
Elevador Santa Justa, Lisboa, 2023
Cianotipia sobre algodão
101.50 x 177 cm

+ consult

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Brescia, Italy II

Liene Bosquê
Brescia, Italy II, 2017/24
Cianotipia sobre algodão
57.50 x 60.50 cm

+ consult

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Barra Funda I

Liene Bosquê
Barra Funda I, 2024
Couro cortado a laser
71 x 78 cm

+ consult
Barra Funda II

Liene Bosquê
Barra Funda II, 2024
Couro cortado a laser
68 x 64 cm

+ consult
Barra Funda III

Liene Bosquê
Barra Funda III, 2024
Couro cortado a laser
65 x 90 cm

+ consult

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Fundo na Barra Funda

Liene Bosquê
Fundo na Barra Funda, 2024
Site Specific, adesivo vinílico
260 x 260 cm

+ consult

VIEWING ROOM

NEWS, ETC

BIO

Liene Bosquê uses the encounter between the body and architecture, textile materials and the environment to create traces, impressions, conflicts and reflections of this relationship. In a work that imbues the material with history, memory and an intense sensory experience that often involves collaborators/spectators, the artist and educator combines remnants of what has gone and traces of what is to come.

Based in Miami (USA) for over ten years, Liene Bosquê (Garça, SP, 1980) explores sensory experiences within natural, urban, architectural and personal spaces. This includes sculptures, objects, installations and site-responsive projects, in an often archaeological process in which she emphasizes the memory and history of spaces in a way that makes them seem tangible. Liene often uses materials that can be transformed and take the form of a mold, or that are capable of being imprinted.

+ more

Thus, through site-responsive installations and the use of malleable materials, rigid architectures are transformed into fragile surfaces, revealing histories, voids and absences, the passage of time and how we perceive the idea of place. Textile techniques and molding have thus been the core of an artistic practice that explores a range of fibers such as cotton, silk and linen, and media such as rust, clay, wax, plaster and latex. Her recent output includes collaborative projects with communities, a larger investigation into the natural environment and ecosystems, and sustainable perspectives for the future. She has won important awards and residencies in her career, and her work has been exhibited at institutions such as MoMA PS1, Museum of Contemporary Photography- Chicago; Frost Art Museum- Miami; Carpe Diem in Lisbon- Portugal, among others.

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