In Territory of Illusions, Sandra Mazzini expands her pictorial vocabulary, adding architectural elements to the lush flora already characteristic of her visual poetics. “These are apparently abandoned places, where there is no human presence, and which have been taken over by nature,” explains the artist, who flirts with the real and the imaginary in a work that touches us beyond the visible, incorporating sounds, sensations and even repulsions into the visual experience.
AUGUST 6 – SEPTEMBER 17, 2022
With her work based on the cut-out, invented and recreated landscape, Sandra Mazzini presents works that reorient the spaces of reality in an intense transit between what is seen, what is imagined and what can be elaborated. They are invented landscapes that become real when painted, when they become another element inhabiting this world and time. It is a work of dedication and exhaustion, to which we can add new layers with our perceptions.
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Sandra Mazzini
Ventania II, 2021
Óleo sobre tela
160 x 210 cm
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Sandra Mazzini
Trombetas, 2022
Óleo sobre tela
198 x 124 cm
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Sandra Mazzini
Corredor, 2022
Óleo sobre tela
190 x 124 cm
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Sandra Mazzini
Corredor II, 2022
Óleo sobre tela
190 x 140 cm
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Sandra Mazzini
Floresta Quadrangular, 2022
Óleo sobre tela
143 x 197 cm
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Sandra Mazzini
Território de Ilusões, 2021
Óleo sobre tela
190 x 215 cm
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Sandra Mazzini
Lírios, 2022
Óleo sobre tela
30 x 30 cm
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Sandra Mazzini
Arcos, 2021
Óleo sobre tela
180 x 230 cm
Sandra Mazzini (1990) was born in São Paulo (SP), where she lives and works. She has a degree in Visual Arts from Unesp-SP, where she worked as a resident at the 509 free studio, technically assisting young artists and developing their work in painting. A highlight of the new generation of Brazilian artists, Sandra Mazzini’s painting proposes an alteration of reality based on the new perspectives presented by the vibrant visual layers present in her works. Her canvases integrate techniques from the past and the present in challenging harmony. Digital resources for capturing images and preparing the grid blend with a refined painting technique, where the figurative element sometimes reaches abstraction.
+ more“His work blurs the traditional categories of painting, photography and drawing and is undeniably contemporary, immersed in an idyllic vision of our exuberant nature. At the same time, each work is permeated by a constant pulse, a vibration that goes beyond the landscape it represents,” says curator Denise Mattar. His work has already been exhibited at venues such as the National Museum of the Republic (DF), the Ribeirão Preto Art Museum (SP) and the Santander Lighthouse (SP), and is part of important public and private collections.