Sao Paulo Brazil
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Siri, a nickname from high school, is a musician who has always studied music and has always lived music. He has worked with music since he was a child playing and making sounds out of cans. Any can that fell into his hands was transformed into something that could be made sound.
Hélio Oiticica wanted the work of art to be born “only from a touch on matter”, from a breath that transforms it into expression: “an inner breath, of cosmic plenitude”. The recent production of Ricardo Siri, an artist from Rio de Janeiro who is inaugurating his solo show Organismo on March 19 at Janaina Torres […]
Marina Caverzan's first solo show at the gallery invites the public to cross borders and access new forms of perception.
Curatorial essay by Ana Roman about Marina Caverzan's solo exhibition, Luminous Bodies.
We are pleased to announce the representation of Caio Pacela (Espírito Santo do Pinhal-SP, 1985), who lives in Niterói and works in São Gonçalo (RJ).
The Pedro Moraleida Bernardes Institute, an exhibition and cultural space that will house and promote the legacy of the artist Pedro Moraleida (1977-1999), opens its doors in Belo Horizonte this Wednesday (28).
I am interested in the relationship between place and people—the influence they have on one another, the conflict that exists between the two, and the traces that are left once they have come into contact. The human need for shelter and belonging runs through my work as a whole, analyzing and interpreting cultures and histories […]
We are pleased to announce the representation of Jeane Terra (MG, 1975), an artist who lives and works in Rio de Janeiro and develops works in painting, sculpture, photography and video. The artist’s works bring out the subjectivities of memory, the nuances of transience and the wreckage of a time, in works with an intense […]
“Movement offers opportunity, recreation, and profit. For others, movement is dangerous and restricted, and its social expulsions are much more severe and permanent.”1 “It is common to think that archaeology studies the past, but this idea is incorrect. Archaeology studies present phenomena: archaeological sites and other types of records that have traveled through time, sometimes […]
Solo exhibition by the Brazilian artist living in the United States, bringing to Brazil works produced in various cities around the world, based on the architectural heritage of each location, exploring memory, belonging, and immigration. The exhibition, which celebrates the artist’s 20-year career, features more than 50 items in a wide range of formats and […]
Honoring the last name she carries through the paths of destiny, Jeane Terra guards and goes through the past, transposing the present with the body-time that inhabits her memories. She perceives and pursues the ruins as an alchemical dance that survives the storms of life. She makes them her friend/family, apprehends, listens to the sound […]
Hamburger's photos prove that it is possible to maintain a contemporary attitude towards the artistic debate without necessarily making use of new image production technologies.
First of all, we need to talk about red, because it's the color that comes to the forefront in Stamps, the series of works that make up Heleno Bernardi's Rumors exhibition. The first color in the history of art dyed the walls of caves and later metamorphosed into fire and blood in the many odysseys of the image.
Based on the project built for the gallery in 2024, this inaugural exhibition discusses four central axes through the entities: time, archaeologies, other ecologies, faith and belief. These pillars, which group together without segregating the artists and their interests, affirm discourses on plural ways of existing in the world, despite the hegemonic structures that harm or make impossible the different ways of life that we defend here.
We are delighted to announce the opening of 'Falsa Simetria' by Osvaldo Carvalho, which launches the Brazilian Embassy's contemporary art program BREEZE, designed to showcase Brazilian contemporary art to a global audience and strengthen its position in the international art market.
By Luciara Ribeiro I Observing the changes in Sandra Mazzini's work was a step that involved thinking about image theories, creative processes and their reception. Mazzini is an artist who looks to the landscape for ways to flirt with the real and the imaginary.
They say we are drawn to people, places, and situations by resonance. It's no wonder the story of the Mekong River and its people caught Jeane Terra's attention. If there's one theme that has permeated the artist's work since the beginning of her career, it's the emotional memory connected to places and people that have ceased to exist.
The sea of the Northeast, dreamlike and idealized, in paintings with subtle personal and social connotations, drives the research in Pra Vela Não Se Apagar, the first solo show by Rio de Janeiro artist Guilherme Santos da Silva (Rio de Janeiro, 1987) at Janaina Torres Galeria, curated by Alexandre Araujo Bispo and opening on May […]
Guilherme Santos da Silva is a demanding artist who discards what he doesn't consider to be resolved. Thus, the constructive and delicate geometry that we see in his poetics conceals a passionate relationship with each new composition.
The abyssal and feminine gaze towards vertiginous affection is the guiding thread of this exhibition. In the meeting of artists open to the unforeseen, viscerality and overflow reveal, in the abyss of gesture, a path to invention.
A visceral and enigmatic short story by celebrated writer Katherine Mansfield (1888-1923), published in Brazil with images of works by Giulia Bianchi, is the starting point for Êxtase, a group show by Giulia Bianchi, Mirella Cabral and Paula Scavazzini.
In Territory of Illusions, Sandra Mazzini expands her pictorial vocabulary, adding architectural elements to the lush flora already characteristic of her visual poetics. “These are apparently abandoned places, where there is no human presence, and which have been taken over by nature,” explains the artist, who flirts with the real and the imaginary in a work that touches us beyond the visible, incorporating sounds, sensations and even repulsions into the visual experience.
In addition to form, the operations involved in the works presented by Carolina Martinez, Mano Penalva, Heleno Bernardi, Marina Caverzan, Julia da Mota and Renato Rios are not just analytical in their use of geometry.
Ricardo Siri incorporates the world into the material of art. He chooses literality as neoconcretude. And he imbues the environment with allusions, affections, emotions and sound.
A cultural and aesthetic reflection on the role and influence of psychoactive elements in human culture is a hallmark of the artist's work.
The curator investigates the work of Stephan Doitschinof, inspired by historical, religious, political, philosophical and environmental symbols.
The author of energetic art, he structures his work in a system of symbols with a singular narrative, with drawings, paintings, sculptures, videos and installations.
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